Production Sound
Production Sound
Production Sound & Audio Engineering
Alongside AV integration, Jay Ambrose works as a production sound mixer and audio engineer for film and TV — bringing the same precision and musician's ear to every recording, whether it's dialogue on a film set or a full-length audiobook.
MixPre-6 · K-Tek boom pole · Sennheiser G4 wireless — field-ready.
Reel
On-Set Recording
- Sound Devices MixPre-6 recorder
- Sennheiser MKH 416 boom mic
- 2× Sennheiser EW 512P G4 wireless lavs
- Neumann U87
- 2× Tentacle Sync E mkII timecode generators, for frame-accurate sync with camera
Credits
Sound Recordist — Placemat (2023)
Sound Recordist — Goat (2022)
Sound Effects Editor — Frank (2010)
Sound Editor — Cat Scratch Fever (2010)
Sound Editor — Open Road (2009–2015)
Audiobook engineering and production
Background
Before AV integration became a full-time business, Jay spent 30+ years as a working musician — session trumpet and bass player, and 15 years as a founding member of the Brooklyn band Vinyette. That background is exactly why the audio work holds up: it's engineered by someone who's spent a career listening critically, not just operating equipment.
Need production sound for your next project?
Reach out to discuss availability and scope.